Song Review: ‘Revenge of the Smoothie King’ by Promises Unsaid

On March 15th, metalcore powerhouse Promises Unsaid released their latest single, ‘Revenge of the Smoothie King,’ following their 2021 hit, ‘The Smoothie King.’ This track underscores their commitment to pushing the metalcore envelope, effortlessly blending early 2000s metalcore with the emerging sounds of nu-metal and rap-rock. As the band gears up to release and tour in support of their second studio album hexbrew later this year, this single stands as a testament to the band’s firm perspective and strength. If you’re a fan of Linkin Park, We Came as Romans, or Bad Omens, this one’s worth adding to your playlist.

It is unmistakable that the band poured their collective energy, passion, and creativity into this release, as showcased in their accompanying music video shot by Seventhside Productions. The video plunges viewers into a gripping wrestling showdown, offering a free pay-per-view experience: witnessing the band obliterate the stage with their performance. Pro wrestling serves as a fitting parallel to metal with its controlled brutality and theatricality—both are displays of technical precision and skill, each beat mirroring the punches exchanged until a clear winner emerges.

While metal often delves into heavy and dark themes, it’s refreshing to see bands inject fun into the genre. Vocalist Caleb Reynolds forgoes clean singing, delving into realms of anxious depression and delivering it with raw rage and resistance over a relentless mid-tempo metalcore instrumental. The seamless transition from screaming to rapping in the second verse serves as a reminder that both styles share the same essential principle of flow, blending rhythm and melody seamlessly.

With an infectious chorus and a breakdown that demands to be celebrated, ‘Revenge of the Smoothie King’ is poised to become a fan favourite. Blending the adrenaline of wrestling with the raw energy of live music, this video is set to captivate audiences worldwide. 

Written by: Ilse Muis

Edited by: Nèri Cliteur